Showing posts with label traits. Show all posts
Showing posts with label traits. Show all posts

Editing Buddies, Part II

>> Sunday, October 12, 2008

4. A good work ethic--Who wants a lazy editor? You don't want someone who will take three months to edit and return a five page short story (exaggerated example). And the last thing you want is someone who will put it off forever and let it collect dust until one day you inquire about it and they have no idea what you are talking about (ditto...I hope). This brings us to the next trait:

5. Someone who can manage his or her time--If a person is perpetually busy, you don't have to dismiss him out of hand. But be careful. If a person is so busy that he can't make time to edit your story, but spends hours playing video games or watching TV, move on. You need someone who can manage his time well, who will edit your piece and get it back to you, even if he has to do it in ten minute increments at a time until it's finished.

6. Enthusiasm--This is an important one. If someone hates to read, or doesn't like your particular type of story, think twice about handing it over. She may not be able to let go of her bias(es) when editing your story, and you want constructive feedback, not a long list of criticisms about what you SHOULD do, or that you're wasting your time writing anyway, or that fantasy isn't a real genre and the only books worth reading are the literary classics, etc, etc. Some one like this is only interested in cutting down, not building up.

7. A basic knowledge of literary elements (plot, structure, POV, etc.)--This is essential because if something major isn't working in your story, your editor not only needs to be able to identify it, but also be able to suggest how to fix it.

8. Creative flair--It's always a plus if your editor can help you make stylistic suggestions and changes to your story. But you don't want to make just any changes and sacrifice your characters, story, etc. You want to make changes that would suit them; this is where an editor with creative flair comes in. Your editor needs to be able to assess what changes would not only fit your characters or story, but improve it.

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The Importance of an Editing Buddy (or Five!)

>> Monday, September 29, 2008

Today I realized again how important it is to have people who can critique and edit your writing. I am so thankful for my friend, Morgan, who has been both gracious and ruthless enough to edit some of my recent work. But we shouldn't let just anyone critique our writing. There are certain traits that I have found to be helpful in an editing buddy, and not every person has them.

What should you look for in an editing buddy?

1. Honesty. If you can't count on her honest opinion, no matter what it is, you will never receive any useful feedback. Without that, you will never improve any of your writing. We writers tend to become attached to certain characters or phrases we've written, and sometimes they just aren't necessary. We need someone to hand us the scalpel and tell us where to cut or operate, not let us live in an unrealistic world of perfection when it comes to our writing. Even if we write well, we can always write better.

2. Tact. This is closely related to the above point. While it is good to be honest about one's opinion, you want to choose an editing buddy that you won't get in an argument with every time you hand them work to critique. Let's face it: you won't be hurrying to give them more, if they deliver sharp diatribes about every single thing you've written, or just downright insult your writing. You want an editing buddy who can be both harsh and compassionate--someone who will get on to you about fixing mistakes, but also encourages you to do well and cheers with you when you get things right.

3. Decent Knowledge of the Essentials. This one should be obvious, but it needs to be said. Your Aunt Sally, who can barely spell, or your Cousin Johnny who specializes in run on sentences, are not the people you should choose to edit your work. An editing buddy should have a working knowledge of basic grammar, punctuation, and spelling. He does not have to be perfect (who is?), but the closer the better.

I will post the concluding part of this article soon. It will include five more traits, for a total of eight ideal traits in an editor. For now, I must attend my daughter.

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